Friday, March 30, 2012

desperation lyrics

    

 

 

 

     The Son


I heard an old farm-wife,
Selling some barley,
Mingle her life with life
And the name "Charley".

Saying, "The crop's all in,
We're about through now;
Long nights will soon begin,
We're just us two now.

Twelve bushels at sixty cents,
It's all I carried --
He sickened making fence;
He was to be married --

It feels like frost was near --
His hair was curly.
The spring was late that year,
But the harvest early."


      
     Ridgely Torrence




 

Tuesday, March 27, 2012

The Island

No man alone an island: we
Stand circled with a lapping sea.
I break the ring and let you go:
Above my head the waters flow.
 
Look inward, love, and no more sea,
No death, no change, eternity
Lapped round us like a crystal wall
To island, and that island all.
 
    Jean Jay Macpherson  - canadian poet  (1931 -  2012)

Sunday, March 25, 2012

a sensical approach to nonsense

I never saw a purple cow.
I never hope to see one.
But I can tell you anyhow
I'd rather see than be one!


a purple cow is quite a sight
i am here to say
don't pass up the sheer delight
to see one any day

    - first stanza Gelette Burgess composed diligently in 1895
    _- Second stanza by yours truly.... composed on the spot today
           (OK ok ok I WILL admit i have been meditating on this poem for days!!!)

Thursday, March 22, 2012

what is this to us

“It Snowed on Tibetan New Year”
by Adong Paldothar




This year on Tibetan New Year, it snowed
The flurry of snow, suddenly brought to mind
My family, far away in my hometown
A bustling and busy scene, working hard
Today is my real new year
It is like a cup of true liquor

Seeping into my body
Speeding up my heartbeat
Warming up my quiet meditation
The way I see it, what is called a year
Is like a transparent wall
Between them

People leap over, or run their heads against the wall
For most people, it is like air
While for others, it
Becomes a glass wall

This year on the wall, it snowed
It was on my way home after work
That I encountered the flying snowflakes
Spinning and dancing
Surrounding me
Some snowflakes went into my eyes
Making me weep

For those close relatives who bumped into the glass wall
Tears mixed with snow, although the past
Was piercing cold
The snow still comforted me
I recounted many feelings that are hard to express
To the snow, or with the help of snow

I passed on my messages to the sky and earth
Therefore, for me
The snow no longer seemed that cold
Rather it was like warm seeds

This year on Tibetan New Year, it snowed
The snow fell on my heart
In those places that are overgrown with weeds
Snow has no choice
Just like me
I hope to climb across this wall

Behind the snow wall
I see a rainbow
And the smile of the lotus

This year on Tibetan New Year, it snowed
For a whole day
But it did not manage to moisten the earth
It came as if to comfort my feelings
And went back to the sky again

- February 22, 2012 in Xining

Wednesday, March 21, 2012

goedel at the ball park

The curvature of the baseball
Impact of bat on leathery sphere

Electric lights sizzle bugs
Homers elicit hugs
Like Tinbergen’s sticklebacks
The fans turn red as rugs

Fans toss popcorn & beer
The umpire growls like a woodchuck.


     Kirby Olson

Monday, March 19, 2012

decidedly catholic verse

But I Do Not Need Kindness

I have known the strange nurses of Kindness,
I have seen them kiss the sick, attend the old,
give candy to the mad!
I have watched them, all night, dark and sad,
rolling wheelchairs by the sea!
I have known the fat pontiffs of Kindness,
the little old grey-haired lady,
the neighborhood priest,
the famous poet,
the mother,
I have known them all!
I have watched them, at night, dark and sad,
pasting posters of mercy
on the stark posts of despair.



I have known Almighty Kindness Herself!
I have sat beside Her pure white feet,
gaining Her confidence!
We spoke of nothing unkind,
but one night I was tormented by those strange nurses,
those fat pontiffs,
The little old lady rode a spiked car over my head!
The priest cut open my stomach, put his hands in me,
and cried:—Where’s your soul? Where’s your soul!—
The famous poet picked me up
and threw me out of the window!
The mother abandoned me!
I ran to Kindness, broke into Her chamber,
and profaned!
with an unnamable knife I gave Her a thousand wounds,
and inflicted them with filth!
I carried Her away, on my back, like a ghoul!
down the cobble-stoned night!
Dogs howled! Cats fled! All windows closed!
I carried Her ten flights of stairs!
Dropped Her on the floor of my small room,
and kneeling beside Her, I wept. I wept.


But what is Kindness? I have killed Kindness,
but what is it?
You are kind because you live a kind life.
St. Francis was kind.
The landlord is kind.
A cane is kind.
Can I say people, sitting in parks, are kinder?


Gregory Corso     (+  2001)

 -this was offered so i took it

Saturday, March 17, 2012

The Bright Field




I have seen the sun break through
to illuminate a small field
for a while, and gone my way
and forgotten it. But that was the pearl
of great price, the one field that had
treasure in it. I realize now
that I must give all that I have
to possess it. Life is not hurrying

on to a receding future, nor hankering after
an imagined past. It is the turning
aside like Moses to the miracle
of the lit bush, to a brightness
that seemed as transitory as your youth
once, but is the eternity that awaits you.

     R. S.  Thomas
            (1913-2000)

Friday, March 16, 2012

A Metis Heart

will walk with this vision
in a world
blocked
by walls of glass
and gutters of greed
I will follow this path
in silence
somewhere beyond
painted skys
and dead mans stones
I will travel
to the black -hole edge
and return
with the birth of a dream
to be inspired
for here
is the beauty of creation
and the birth of stars
I am of two nations
a beloved between
a rainbow
in the stream
of endless faces
i am not a bridge
for bridges
wear out
with the people
of this world
treadiing on them
they are replaced
or not...
I am
the rainbow
over the bridge
the connection
the hope
and the
dream.....
I am
Metis


     -someone by the monicker Metis Artist Woman

Thursday, March 15, 2012

* * *

just dusk
   the hush yields

        to crickets


      - Jim Kacian

Wednesday, March 14, 2012

midewiwin songs ( sacred )

  Go With Me

When I go
I will give you
Surely
What you will wear
If you go with me.


     Do Not Weep
   
     Now I go
      Do not weep.

   literal trans. by Frances Dunsmore
    shaped anew by Gerald Vizenor

Tuesday, March 13, 2012

a nod to OULIPO

We’re crooning nightly,
Renewing thorny logic,
Cheerily noting wrong.


Coiling energy, thrown.
Wrongly enticing hero,
Ongoing wintry lecher,


Reigning theory clown,
Whining electron orgy
Growing incoherently.

    -every line is a working anagram of newt gingrich's full name

      Steve Shaviro

Sunday, March 11, 2012




The Silence



It grew from nothing
Inside me it grew
It grew in my veins and arteries
... In my bones and flesh
It mastered my blood
One day I found it curled up
In my skull
Under my useless tongue
Now I have nothing to say
To anyone








Irving Layton      (on his 100th birthday..though he be dead)


Tuesday, March 6, 2012

yet another long poem

 

 

 

 

The Hound of Heaven



I fled Him, down the nights and down the days;
I fled Him, down the arches of the years;
I fled Him, down the labyrinthine ways
   Of my own mind; and in the mist of tears
I hid from Him, and under running laughter.
            Up vistaed hopes I sped;
            And shot, precipitated,
Adown Titanic glooms of chasmèd fears,
From those strong Feet that followed, followed after.
           But with unhurrying chase,
           And unperturbéd pace,
       Deliberate speed, majestic instancy,
           They beat—and a Voice beat
           More instant than the Feet—
       “All things betray thee, who betrayest Me.”

   I pleaded, outlaw-wise,
By many a hearted casement, curtained red,
    Trellised with intertwining charities;
(For, though I knew His love Who followèd,
            Yet was I sore adread
Lest, having Him, I must have naught beside.)
But, if one little casement parted wide,
    The gust of His approach would clash it to:
    Fear wist not to evade, as Love wist to pursue.
Across the margent of the world I fled,
    And troubled the gold gateways of the stars,
    Smiting for shelter on their clangèd bars:
            Fretted to dulcet jars
And silvern chatter the pale ports o’ the moon.
I said to Dawn: Be sudden—to Eve: Be soon;
    With thy young skiey blossoms heap me over
            From this tremendous Lover—
Float thy vague veil about me, lest He see!
   I tempted all His servitors, but to find
My own betrayal in their constancy,
In faith to Him their fickleness to me,
    Their traitorous trueness, and their loyal deceit.
To all swift things for swiftness did I sue;
    Clung to the whistling mane of every wind.
          But whether they swept, smoothly fleet,
        The long savannahs of the blue;
            Or whether, Thunder-driven,
          They clanged his chariot ’thwart a heaven,
Plashy with flying lightnings round the spurn o’ their feet:—
    Fear wist not to evade as Love wist to pursue.
            Still with unhurrying chase,
            And unperturbéd pace,
        Deliberate speed, majestic instancy,
            Came on the following Feet,
            And a Voice above their beat—
        “Naught shelters thee, who wilt not shelter Me.”

I sought no more that after which I strayed
            In face of man or maid;
But still within the little children’s eyes
            Seems something, something that replies,
They at least are for me, surely for me!
I turned me to them very wistfully;
But just as their young eyes grew sudden fair
            With dawning answers there,
Their angel plucked them from me by the hair.
“Come then, ye other children, Nature’s—share
With me” (said I) “your delicate fellowship;
            Let me greet you lip to lip,
            Let me twine you with caresses,
                Wantoning
            With our Lady-Mother’s vagrant tresses,
                Banqueting
            With her in her wind-walled palace,
            Underneath her azured dais,
            Quaffing, as your taintless way is,
                From a chalice
Lucent-weeping out of the dayspring.”
                So it was done:
I in their delicate fellowship was one—
Drew the bolt of Nature’s secrecies.
            I knew all the swift importings
            On the wilful face of skies;
            I knew how the clouds arise
            Spuméd of the wild sea-snortings;
                All that’s born or dies
            Rose and drooped with; made them shapers
Of mine own moods, or wailful or divine;
            With them joyed and was bereaven.
            I was heavy with the even,
            When she lit her glimmering tapers
            Round the day’s dead sanctities.
            I laughed in the morning’s eyes.
I triumphed and I saddened with all weather,
            Heaven and I wept together,
And its sweet tears were salt with mortal mine;
Against the red throb of its sunset-heart
            I laid my own to beat,
            And share commingling heat;
But not by that, by that, was eased my human smart.
In vain my tears were wet on Heaven’s grey cheek.
For ah! we know not what each other says,
            These things and I; in sound I speak—
Their sound is but their stir, they speak by silences.
Nature, poor stepdame, cannot slake my drouth;
            Let her, if she would owe me,
Drop yon blue bosom-veil of sky, and show me
            The breasts o’ her tenderness:
Never did any milk of hers once bless
                My thirsting mouth.
                Nigh and nigh draws the chase,
                With unperturbèd pace,
            Deliberate speed, majestic instancy;
                And past those noised Feet
                A voice comes yet more fleet—
            “Lo! naught contents thee, who content’st not Me.”

Naked I wait Thy love’s uplifted stroke!
My harness piece by piece Thou hast hewn from me,
                And smitten me to my knee;
            I am defenceless utterly.
            I slept, methinks, and woke,
And, slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers,
            I shook the pillaring hours
And pulled my life upon me; grimed with smears,
I stand amid the dust o’ the mounded years—
My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke,
Have puffed and burst as sun-starts on a stream.
            Yea, faileth now even dream
The dreamer, and the lute the lutanist.
Even the linked fantasies, in whose blossomy twist
I swung the earth a trinket at my wrist,
Are yielding; cords of all too weak account
For earth with heavy griefs so overplussed.
            Ah! is Thy love indeed
A weed, albeit an amaranthine weed,
Suffering no flowers except its own to mount?
            Ah! must—
            Designer infinite!—
Ah! must Thou char the wood ere Thou can’st limn with it?
My freshness spent its wavering shower i’ the dust;
And now my heart is as a broken fount,
Wherein tear-drippings stagnate, spilt down ever
            From the dank thoughts that shiver
Upon the sighful branches of my mind.
            Such is; what is to be?
The pulp so bitter, how shall taste the rind?
I dimly guess what Time in mists confounds;
Yet ever and anon a trumpet sounds
From the hid battlements of Eternity;
Those shaken mists a space unsettle, then
Round the half-glimpséd turrets slowly wash again.
            But not ere him who summoneth
            I first have seen, enwound
With glooming robes purpureal, cypress-crowned;
His name I know, and what his trumpet saith.
Whether man’s heart or life it be which yields
            Thee harvest, must Thy harvest-fields
            Be dunged with rotten death?

                Now of that long pursuit
                Comes on at hand the bruit;
            That Voice is round me like a bursting sea:
               “And is thy earth so marred,
                Shattered in shard on shard?
            Lo, all things fly thee, for thou fliest Me!
            Strange, piteous, futile thing!
Wherefore should any set thee love apart?
Seeing none but I makes much of naught” (He said),
“And human love needs human meriting:
            How hast thou merited—
Of all man’s clotted clay the dingiest clot?
            Alack, thou knowest not
How little worthy of any love thou art!
Whom wilt thou find to love ignoble thee,
            Save Me, save only Me?
All which I took from thee I did but take,
            Not for thy harms,
But just that thou might’st seek it in My arms.
            All which thy child’s mistake
Fancies as lost, I have stored for thee at home:
            Rise, clasp My hand, and come!”
    Halts by me that footfall:
    Is my gloom, after all,
Shade of His hand, outstretched caressingly?
    “Ah, fondest, blindest, weakest,
    I am He Whom thou seekest!
Thou dravest love from thee, who dravest Me.”

Francis Thompson (1859-1907)

















.

Monday, March 5, 2012

skola arke aritmatika

Hot Afternoons Have Been in Montana


Quiet and green was the grass of the field,
The sky was whole in brightness,
    And O, a bird was flying, high, there in the sky,
   So gently, so carelessly and fairly.
Here, once, Indians shouted in battle,
And moaned after it.
Here were cries, yells, night, and the moon over these men,
And the men making the cries and yells; it was
     Hundreds of years ago, when monks were in Europe,
Monks in cool, black monasteries, thinking of God, studying Virgil;
Monks were in Europe, a land having an ocean, miles of water, between
    It and this land, America, possessing Montana.
       (New York, Vermont, New Mexico, America has too.)
Indians, Indians went through Montana,
Thinking, feeling, trying pleasurably to live.
      This land, shone on by the sun now, green, quiet now,
     Was under their feet, this time; we live now and it is hundreds
                     of years after.
Montana, thou art, and I say thou art, as once monks said of God,
   And thought, too: Thou art.
Thou hast Kansas on thy side;
Kansas is is in the newspapers, talked of by men;
Idaho thou hast, and far away, Singapore, Alabama, Brazil.
That bird over this green, under that sun, God, how sweet and
graceful it is!
      Could we ever do that? Machines that fly are clumsy and ugly;
Birds go into the air so softly, so fairly; see its curves; Earth!
In Montana, men eat and have bodies paining them
Because they eat.
Kansas, with Montana, in America, has, too, men pained by
their eating;
     So has England, with Westminster Abbey, where poets lie,
dead now;
O, what their poetry can do; what poetry can do.
There is the brain of man, a soft, puzzling, weak affair;
Lord, the perfect green of this meadow.
Look at the pure heat and light of that big sun,
And the cleanness of the sky.
Night comes, night has come.
    Was not Montana here in the Middle Ages, when old Rome
was at its oldest, when
    Aristotle wrote,
In Greece, Greece by the Aegean, with the Mediterranean near?
Indians killed each other here,
                  With the moon over them.
Indians killed each other near Cape Cod, near Boston,
  in
Louisiana, too.
It was before white men came from England, to see them; the
       white men were seen by them.
Snows have been here, in Montana, while the Indians have been.
Girls are in Helena, mines are in Helena,
Men work in them painfully and long for the bodies of girls;
And long for much more that is in the world, in thee, Earth.
     Men work, suffer, are little, ugly, too.
                   O, mountains are in Montana,
         The Rocky Mountains are in California, Utah, Colorado, Montana.
Indians were here, too, by rivers, in these mountains,
 lived in
mountains.
Europe has its Paris, and men live there; Stendhal, Rabelais,
Gautier, Hume were there.
God, what is it man can do?
There are millions of men in the world, and each is one man,
Each is one man by himself, taking care of himself all the time,
and changing other men and being changed by them;
The quiet of this afternoon is strange, haunting, awful;
Hear that buzzing in the hot grass, coming from live things;
and those crows' cries from somewhere;
There is a sluggish, sad brook near here, too.
The bird is gone now, so graceful, fair as it was,
And the sky has nothing but the brightness of air in it.
The clean color of air.
The sun makes it be afternoon here;
In Paris and Sumatra, it is night;
Dark Malays are in lands by the Indian Ocean,
An ocean there is we call the Indian;
Men went to these Malays near the Indian Ocean, in the
eighteenth century, in frigates and ships-of-the-line;
And men living here are Indians, too.
O, the cry of the Indian in battle, hundreds of years ago, in woods,
in plains, in mountains;
War might have been seen once in this meadow, now in green,
now hot;
Hundreds of years ago it might have been seen, and tens of years,
and a thousand.
There was love among Indians; there is love in Paris, Moscow,
London, and New York.
Men have been in war, ever,
And men have thought, and written books, about war, love, and
mind.
Mist comes in this earth,
And there have been sad, empty, pained,
      longing souls going
through mist.
O, the green in mist that is to be seen in the world.
   And time goes on, the world is moving, all of it, so time goes on
         in this world.
It is now a hot, quiet afternoon in Montana,
Montana with the Rocky Mountains;
Virginia with the Allegany Mountains:
(Indians ambushed Braddock in the Allegany Mountains; the
woods, once quiet, once dark,
Sounded sharply and deeply with cries, moans, and shots;
Washington was there;
Washington Irving wrote of Washington, so did Frenchmen
who knew Voltaire;
In 1755, Braddock was ambushed and died, and then, in Paris
men and women wrote of philosophy who were elegant,
witty and thought spirit was of matter; say Diderot,
Helvetius, and Madame du Deffand; Samuel Johnson was
in London then; Pitt was in England; men lived in Montana,
Honolulu, Argentina and near the Cape of Good Hope;
O, life of man, O, Earth; Earth, again and again!)
And there have been hot afternoons, all through time, history,
as men say;
Hot afternoons have been in Montana.
There have been hot afternoons, and quiet, soft, lovely twilights;
Gray, Collins, Milton wrote of these;
There have been hot afternoons in quiet English churchyards,
and hot afternoons in America, in Montana; and green
everywhere and bright sky; there are deserts in Africa,
America, and Australia;
Clear air is healthful; men go to Colorado, near Wyoming,
near Montana in the mountains, sick men go to the
mountains where Indians once lived, fought and killed
each other.
O, the love of bodies, O, the pains of bodies on hot, quiet
afternoons, everywhere in the world.
Men work in factories on hot afternoons, now in Montana,
and now in New Hampshire; walk the streets of Boston
on hot afternoons;
Novels stupid and forgot, have been written in afternoons;
      MatinĂ©es of witty comedies in London and New York are in
afternoons;
Indians roamed here, in this green field, on quiet, hot afternoons,
in years now followed by hundreds of years.
    Hot afternoons are real; afternoons are; places, things, thoughts,
feelings are; poetry is;
      The world is waiting to be known; Earth, what it has in it!
The past is in it;
All words, feelings, movements, words, bodies, clothes, girls,
trees, stones, things of beauty, books, desires are in it;
and all are to be known;
Afternoons have to do with the whole world;
    And the beauty of mind, feeling knowingly the world!
      The world of girls' beautiful faces, bodies and clothes, quiet
         afternoons, graceful birds, great words, tearful music,
      mind-joying poetry, beautiful livings, loved things, known
    things: a to-be-used and known and pleasure-to-be giving
                 world.

   -Eli Siegel    circa. 1925

Saturday, March 3, 2012

a piece of a les murray poem

more or less the same more or less on common footing
more or less at bay more or less drawn home
more or less more or less ..."equanimity as it were..."


more natural to look at the birds about the street, their life
that is greedy, pinched, courageous and prudential
as any on these bricked tree-mingled miles of settlement,
to watch the unceasing on-off
grace that attends their nearly every movement,
the same grace moveless in the shapes of trees
and complex in our selves and fellow walkers: we see it’s indivisible
and scarcely willed. That it lights us from the incommensurable
we sometimes glimpse, from being trapped in the point
(bird minds and ours are so pointedly visual):
a field all foreground, and equally all background,
like a painting of equality. Of infinite detailed extent
like God’s attention. Where nothing is diminished by perspective.


     australian indeed

underlined thoughts are the ingratitudes of this author

Friday, March 2, 2012

Abu-said Abil Kheir (967-1042)

Rise early at dawn,
when our storytelling begins.
In the dead of the night,

when all other doors are locked,
the door for the Lovers to enter opens.


Be wide awake in the dark when Lovers
begin fluttering around the Beloved's window,
like homing pigeons arriving with flaming bodies
.

       Verje Abramian ( version )