Saturday, January 19, 2019

the bitterroot








The sun rises and calls our people to the land
The babies clutched, children taken in hand.
Blanketed, shivering bodies in the spring air
Quickly we assemble for the journey
Voices speak quietly; our people are ready.

Rows of deep blue mountains fading into the sky
Keeping watch over us; sentries from high.
We walk past the spring where the water runs deep
Life blood of our people, quietly blessed
We trek along its path, continuing our quest.

A prairie breeze rushes past, pulling at our clothes,
It whispers in ears and tells of the woes
Of a woman who cried for her starving people
A bird was sent that spoke of bitter tears
Drops that fed a plant, feeding our people for years.

The biting wind was cold and our feet pushed faster
It moans and speaks for every ancestor
The land that we walk upon is our heritage
This earth isn’t ours, just a caretaker
Of this blessed land, the people of our Creator

Our feet stumble over the dry soil and rocks
Tracing trails our tribe still hunts and walks
Searching  for wild game and berries for the table
Teaching our young of flowers and fauna
Now focused on the ground, seeking the red diva.

The searchers part, fingers pull on the dewy brush
Pushing away grass, hurrying to rush
And find the small plant, the guardian of our land
The tubular sprout that hides in dry soil
From all hands that seek, regardless of the toil.

Both young and old are searching for the small, slight sprout
Ancient rocks are pulled, then heard is a shout.
A young voice cries, “I found it!”  Excited and proud.
Young and old group to see the succulent
Eyeing the pink buds and the roots of the green plant.

Small fingers pass the sprout to a Salish elder
The plant is taken and then held tender
Withered fingers lift it, thanking our Creator
For once again we harvest in tribute
The symbol of our ancestors,  the Bitterroot.



                                                Diane Caudle










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Tuesday, January 8, 2019

transcendental intuitions







                             ELSEWHERE




The delectable names of harsh places:
Cilicia Aspera, Estremadura.
In that smooth wave of cello-sound, Mojave,
We hear no ill of brittle parch and glare.

So late October's pasture-fringe.
With aster-blur and ferns of toasted gold.
Invites to barrens where the crop to come
Is stone prized upward by the deepening freeze.

Speechless and cold the stars arise
On the small garden where we have dominion.
Yet in three tongues we speak of Taurus' name
And of Aldebaran and the Hyades,

Recalling what at best we know.
That there is beauty bleak and far from ours.
Great reaches where the Lord's delighting mind.
Though not inhuman, ponders other thing
s.


                                       Richard Wilbur




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Sunday, December 30, 2018

as long as you get your point across









16D




On the airplane, the woman across the aisle and one row in front of me was beautiful. She wore the best pair of blue jeans in the history of the world. Okay, I’m exaggerating. Is there such a thing as the greatest jeans in the world? Can denim be sacred? Probably not. But I’m trying to make a point here. The woman was an epic series of curves. The ghost of some ancient Greek lute player is vainly searching for his instrument so he can sing ballads for and about her. Okay, I’m exaggerating again.







/

Thursday, December 27, 2018

rimbaud's love of sounds






Vowels

A black, E white, I red, U green, O blue: vowels,
I shall tell, one day, of your mysterious origins:
A, black velvety jacket of brilliant flies
which buzz around cruel smells,
Gulfs of shadow; E, whiteness of vapours and of tents,
lances of proud glaciers, white kings, shivers of cow-parsley;
I, purples, spat blood, smile of beautiful lips
in anger or in the raptures of penitence;
U, waves, divine shudderings of viridian seas,
the peace of pastures dotted with animals, the peace of the furrows
which alchemy prints on broad studious foreheads;
O, sublime Trumpet full of strange piercing sounds,
silences crossed by [Worlds and by Angels]:
O the Omega! the violet ray of [His] Eyes!

. . .
Voyelles
 
A noir, E blanc, I rouge, U vert, O bleu: voyelles,
Je dirai quelque jour vos naissances latentes:
A, noir corset velu des mouches éclatantes
Qui bombinent autour des puanteurs cruelles,

Golfes d'ombre; E, candeurs des vapeurs et des tentes,
Lances des glaciers fiers, rois blancs, frissons d'ombelles;
I, pourpres, sang craché, rire des lèvres belles
Dans la colère ou les ivresses pénitentes;

U, cycles, vibrements divins des mers virides,
Paix des pâtis semés d'animaux, paix des rides
Que l'alchimie imprime aux grands fronts studieux;

O, suprême Clairon plein des strideurs étranges,
Silences traversés des [Mondes et des Anges]:
O l'Oméga, rayon violet de [Ses] Yeux!
. . .








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Monday, December 10, 2018

all that is not gold





HYMNUS AD PATREM SINENSIS


I praise those ancient Chinamen
Who left me a few words,
Usually a pointless joke or a silly
     question
A line of poetry drunkenly scrawled
     on the margin of a quick
                    splashed picture—bug, leaf,
                    caricature of Teacher
on paper held together now by little
     more than ink
& their own strength brushed 
     momentarily over it
Their world and several others since
Gone to hell in a handbasket, they
      knew it—
Cheered as it whizzed by—
& conked out among the busted
      spring rain cherryblossom
      winejars
Happy to have saved us all.

                                Philip Whelan




..

Monday, December 3, 2018

a thumbprint

   


OLD RAILROAD tracks run
      like text along a swerve of 
water,  a story of the way we've
moved from there to here,  along
the axis of a past that endures in
lines of rusted steel and crum-
bling timber.  City and forest
both began as rain.  Like clock-
work,  a geyser shoots a spume
of steam and vapor from a crack
in the earth.


                           Aaron  Parrett

Saturday, December 1, 2018

prurient perceptions






     What Peeping Tom Knows         



In the silence of his gaze
in silence surrounding women
he beholds,  he feels the touch
of yearning,  like a hand once
 laid along the curve of a face.
A hand no longer there.
He hears the pulse and flutter
of longing,  like a bird wings
beating in the rafters of old barns.
Loudly,  startled -- then soft,
softly as feathers that descend
through shafts of light and dust.

In each window he peers:  feathers,
feathers -- he watches them alight
finally,  at the bottom of his eyes.


          Charles Levendosky








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